Margin Notes

FROM RESEARCH TO THE CLASSROOM: WHY FLUENCY MATTERS FOR OLDER READERS

Feb
27

Prosody, Pacing, and Situational Fluency (or Why Fluency Matters for Older Readers) by Melanie R. Kuhn and Paula J. Schwanenflugel (Journal of Adult & Adolescent Literacy, 2018)

“Rather than view fluency as comprised of accuracy and automaticity for its own sake, we consider it critical to take a more nuanced view, both in terms of fluency as a construct and its importance in the reading process—one that emphasizes pacing, understanding, and knowledge building rather than racing through a text (Kuhn et al., 2010). In the following sections, we discuss a broader definition of fluency and its implications for instruction, which includes exploring prosody, pacing, situational fluency, and the importance of wide reading in helping to close the achievement gap. In this way, we highlight how and why fluency plays a critical role for adolescent and adult readers.”

Summary

Over the past two decades, fluency has come into focus as an important factor in students’ ability to comprehend complex text. However, the predominant definition has become relatively narrow, resulting in a similar narrowing of fluency assessments and recommendations for instruction. Assessments and instructional practices that focus on reading rate have reflected and promoted this view of fluency.

An overreliance on reading rate as an indicator of overall reading success comes at the expense of other components of literacy learning.

Although accuracy and rate are two components of fluent reading, Kuhn and Schwanenflugel maintain that fluent readers also use appropriate phrasing. They define fluency as a combination of:

accuracy, automaticity, and oral reading prosody, which, when taken together, facilitate the reader’s construction of meaning. It is demonstrated during oral reading through ease of word recognition, appropriate phrasing, and intonation. It is a factor in both oral and silent reading that can limit or support comprehension.

Prosody plays a critical role in comprehension by contributing to the shades of meaning readers develop from texts through the application of elements such as intonation, stress, tempo, and appropriate phrasing. The feedback readers receive from prosody may better ensure their understanding of the text. Prosody assists readers with holding messages from text in working memory and supports comprehension processes such as inferencing and gist development

Accuracy, automaticity, and prosody continue to contribute to comprehension of text beyond the early grades when readers are expected engage with large amounts of material and increasingly complex text.

The authors caution that, while it is true that fluent readers are better prepared to meet the challenges of volume and complexity, “fluency is not an all-or-nothing trait.” For example, a reader may be more fluent when reading about familiar topics or in their preferred genre and form. Recent research also suggests that information texts are often read with less fluency than narrative texts.

Because fluency is situational, it is important for educators to consider this broader definition of fluency across the curriculum. For example, we cannot assume that a student who is fluent in narrative texts in ELA class will be fluent in content-area textbooks and vice versa. Readers need support to develop the fluency, stamina, and metacognition for the wide range of genres and text complexities they encounter both in and outside the classroom.

Kuhn and Schwanenflugel recommend four instructional strategies that provide scaffolded practice:

  1. Listen-Read-Discuss: After students listen to the teacher introduce the key concepts and vocabulary of a section of the text being read, they independently read that section and discuss what they have read to solidify their understanding.
  2. Laddering/Text Sets: Providing a series of texts with a range of difficulty levels on the same topic or theme helps students build the knowledge of concepts and vocabulary needed as they progress through increasingly complex texts.
  3. Scaffolded Silent Reading: Students are supported with selecting and independently reading a range of texts through such scaffolds as text selection, comprehension strategies, and reading conferences.
  4. Partner Reading: Partners take turns reading aloud and supporting one another with any challenges encountered in the text.

Conclusion

“If carefully scaffolded, fluency can be developed through, and contribute to, the successful reading of complex texts. Also, as students read more and more varied texts, they experience the kind of positive reading cycle that can contribute to the closing of the achievement gap (Stanovich, 1986). As such, we see time devoted to fluency development to be classroom time well-spent.”

Takeaways For the Classroom

  • Expand your definition of fluency to include prosody.
  • Encourage and provide support for wide, voluminous reading.
  • Use fluency assessments that incorporate prosody, such as the Multi-Dimensional Fluency Scale and listening to students read during reading conferences.
  • Provide explicit instruction on elements of prosody, including intonation, stress, tempo, and phrasing.
  • Encourage students to be mindful of their fluency and its impact on their comprehension during silent reading.
  • Plan with disciplinary colleagues to promote and support fluency across the school day.
  • Incorporate routines such as Listen-Read-Discuss, Laddering, Supported Silent Reading, and partner Reading.

 

OFF THE MAP BY MEIKA HASHIMOTO

Feb
25

Off the Map by Meika Hashimoto is an adventurous and heartfelt story about two ex-best friends, Marlo and Amos, who find themselves lost in the Alaskan wilderness. After a fallout, the two haven’t spoken in months, when their parents surprise them with a joint wilderness trip. Marlo and Amos, now forced to share a canoe, take a wrong turn and soon realize they’re lost and headed toward danger. It’s a test of their survival skills and their ability to work together as they try to navigate their way back to safety.

Hashimoto blends heart-pounding action with emotional depth as Marlo and Amos confront both the wilderness and their fractured friendship. The story captures the strain of growing apart and the unexpected ways relationships can heal, all set against the backdrop of a rugged, unforgiving landscape. The conflicts faced, both in the wilderness and within their relationship, are realistic threats and keep the pages turning with tension.

This book is perfect for fans of Hatchet or Meika Hashimoto’s book The Trail (read more here), mixing adventure with a story of friendship, trust, and personal growth. Whether you’re an outdoor enthusiast or simply love a great character-driven story, Off the Map offers an unforgettable adventure.

CRAFT STUDIO: A BOY JUGGLING A SOCCER BALL

Feb
20

What I Was Reading

I’ve been thinking about how the Joan Didion quote, “grammar is a piano I play by ear,” applies to punctuation. In particular, the ways writers make punctuation choices to show the reader how to read the text—what to emphasize, where to pause, where to linger, where to stop. By tuning students into how the punctuation impacts their fluency, we invite them to think about how it impacts their reading experiences AND how they can be intentional in their writing and use punctuation as a guide for their readers.

When I discovered the poem A Boy Juggling a Soccer Ball by Christopher Merrill, I knew it would be a fantastic mentor text for this.

Craft Moves I Notice the Author Making

  • The poem begins with a lower-case letter, which makes me think the title is actually meant to be read as the first line. When read this way, the poem is divided into two one-sentence stanzas.
  • The lines are short, some with punctuation and some without, and run into each other, giving the poem an energy and pace that mirror the boy’s activity.
  • The poet uses a range of punctuation to guide our reading: colon, comma, semi-colon, ellipse, dash, exclamation point, period.
  • In stanza one, the semi-colon in the line “…then/ lifting it overhead until it hangs there;/ and squaring off his body…” slows down the action and enhances the image of the ball suspended in the air. It creates a sensation of slow-motion in the midst of the quick action.
  • The semi-colon in the line “the bent/ blades of brown grass in summer heat;/ and relaxing, the ball slipping/ down his back…and missing his foot” works in the same way. The ellipse slows our pace down even further, building suspense in the brief moment between the lapse in his focus and losing control of the ball.
  • The white space between the stanzas divides the poem into two distinct scenes or moments. It parallels the break in action when the boy loses the ball and starts again.
  • One of my favorite lines from the poem is a fantastic punctuation mentor: “…until it pops into the air, is heeled/ over his head—the rainbow!–/ and settles on his extended thigh…”. When we arrive at the combination of the dashes and the exclamation point, we can’t help but pause and add the emphasis this feat deserves.

Possibilities for Writers

  • Feel the fluency of your reading by walking as your read the poem out loud to yourself. Match the pace of your movements with the pace of your reading—speed up, slow down, pause, and stop. Talk with a partner about what the movement helped you notice about the poem.
  • Compare this poem with a piece of prose that contains a variety of punctuation and reflect on the similarities and differences in the way you read the texts.
  • Go back into something you’re working on in your writer’s notebook and revise it to reflect how you want it to be read. Think about craft moves from the poem you could try out.
  • Use A Boy Juggling a Soccer Ball as a mentor. Write a few lines of your own borrowing some of the techniques you noticed in the poem.
  • Reflect on punctuation choices you find in your independent reading and think about how they impact you as a reader.

 

GUEST WRITER JEFF CUNNINGHAM RECOMMENDS INTO THE BRIGHT OPEN BY CHERIE DIMALINE

Feb
18

From a former winner of the prestigious Governor General’s Award, Into the Bright Open is a novel that will appeal as much to lovers of the ‘classics’ as to those who actively avoid them. Cherie Dimaline, an active member of the Georgian Bay Métis Community, offers a fresh take on a beloved story that some readers may already be familiar with, though this is by no means necessary – I for one had never heard of The Secret Garden.

The setting is what drew me in first. Having spent summers camping in the Georgian Bay area I was excited to see it depicted in a book, though it will surely resonate with anyone who has spent time in the Canadian countryside near one of the countless majestic bodies of water our country has to offer.

Essentially serving up a coming-of-age narrative chock full of love, friendship and mystery, Into the Bright Open tells the story of Mary, a recently orphaned girl who goes to live in the remote ‘wilds’ with an estranged uncle she never knew existed. Fearing the move from the only place she’s ever known – the bustling city of Toronto at the turn of the 20th century – she thinks she’ll be lonelier than ever. Instead, she finds connections in unexpected (and at times mysterious) places.

Though set in the past, this book does not read as a period piece, so fears of forced language shouldn’t deter anyone. The plot incorporates elements of queer awakening and Indigenous representation so organically and authentically that it hardly feels like the radical “remix” it would likely once have been branded. I highly recommend it to anyone looking for a fast-paced, eventful story full of sympathetic characters (and one decidedly unsympathetic wicked step-mother for good measure).

Jeff Cunningham is a current teacher-in-training at UNB, a UBC grad and an unabashed lover of really old books. When not sketching portraits of bearded and bespectacled literary giants (or the occasional pop star), he likes to spend time hiking, exploring the coast of Fundy and playing the guitar.

TRY THIS TOMORROW: USELESS ETYMOLOGY

Feb
13

 

Jess Zafarris is an author, podcaster, and Tiktok Creator who loves to talk about, and share her knowledge of, the etymology (origins) of words. Some of her works lean towards the naughtier side of language, which makes for some great entertainment for adults.

However, I think her blog, “Useless Etymology”, could be a source of fascination and knowledge-building for high school students. With in-depth posts on the surprising origins of words like “electric”, “nostalgia”, and “dude”, students will broaden their vocabulary and deepen their understanding of the roots of the English language. (While at the same time being entertained by Jess’s GIF game!)

First, you could use a strategy like Vocabulary Rating to determine if students are familiar with the word, then have students fill in a Frayer Model with their current knowledge of the word. Following that, read the blog post together and then see how their understanding of the word changes after the reading. Then, students could go back to the Frayer Model that they completed and see what they could add.

I’m sure students would then be inspired to write about the etymology of their own “useless” words. Etymonline.com is wonderful resource for researching the origins of words (and it’s available as an app as well).

As Steven Stahl (2005) puts it, “Vocabulary knowledge is knowledge; the knowledge of a word not only implies a definition, but also implies how that word fits into the world.” Blogs like “Useless Etymology” can help students figure out how words fit into their world.

Try this tomorrow!

 

 

GUEST WRITER BRYN HAINES RECOMMEDS MID AIR BY ALICIA D. WILLIAMS

Feb
11

 

“And yo, be like water, I tell him.

 Always, He says.”   

Mid-Air by Alicia D. Williams is a compelling coming-of-age novel in verse, blending poetic form with emotional depth to tell the story of Isaiah, a 13-year-old boy navigating life-altering events. Through vivid and heartfelt verse, Williams delves into themes such as violence, grief, racism, gender identity, friendship, and self-discovery, all while maintaining an engaging flow.

The narrative follows Isaiah and his two best friends, Darius and Drew, as they bond over their shared love of biking,

skateboarding, music, and basketball. The story begins with a goal- to break the world record for the longest bike wheelie. As the trio embarks on this adventure, a confrontation with a man from the neighbourhood escalates, drawing the attention of onlookers. In a tragic turn of events, Darius dies, leaving Isaiah and Drew devastated and forever changed.

Isaiah, the quiet, tender-souled member of the group, is consumed by guilt and grief. He and Drew decide to spend the summer breaking every record they can think of, for Darius. His relationship with Drew becomes strained, as neither can fully face the trauma of that day.  As Isaiah grapples with his sorrow, he begins questioning everything: his identity, his interests, his friendships and why he’s so sensitive compared to Drew.

One day, something unimaginable happens to Isaiah, making his parents force him to spend time with relatives in the country. There, Isaiah embarks on a journey of healing. Through new friendships and experiences, he finds strength, confidence, and, most importantly, himself.

Williams’ verse is stunningly powerful, making Mid-Air not only accessible to middle school readers but also deeply resonant for older students. Its limited text per page holds immense emotional weight, making it an excellent choice for reluctant readers. Mid-Air is a rare gem—both heartfelt and unflinching in its portrayal of young people confronting complex issues.

Bryn Haines is a student in the midst of her Bachelor of Education degree. She is a graduate of an Applied Arts degree and a Diploma in Fine Craft Ceramics. With a passion for the arts, Bryn is an aspiring Visual Arts teacher. She loves a good book, the outdoors, and all things art.

 

CRAFT STUDIO: 20 REASONS TO LOOK UP FROM YOUR PHONE BY MOLLY BURFORD  

Feb
06

I am loving Molly Burford’s debut poetry collection, Moments to Hold Close. I have returned again and again to reread and relive how Burford captures the essence of the human experience, exploring how to love, live fully and the beauty of embracing both life’s simple and defining moments.  Here is a look at 20 Reasons to Look Up From Your Phone from her section, “The Moments You Have to Hold on To”.  

 

What I Was Reading:

20 Reasons to Look Up From Your Phone

Because the clouds are taking vacation

Because it’s 75 degrees and you’re sitting inside on your couch

Because there are books to read

Because your own story needs to be told

Because there’s music to be blasted with your windows open

Because your friend deserves your undivided attention

Because what you see online is not always truth

Because comparison is a thief*

Because you’re missing out on the laughter

Because you haven’t finished your painting

Because you haven’t finished your sentence

Because you haven’t finished watching the movie

Because you’re missing out on the moment in front of you

Because there are hands to hold

Because there are more interesting things to look at

Because your dog wants you

Because there are better ways to waste your time

Because the email can wait

Because the text can wait

Because your life cannot wait

What Moves I Notice the Author Making:

  • The author uses a consistent pattern by starting each reason with “Because,” creating a steady rhythm that leads into everyday moments we often overlook. This repetition anchors the reader in each line building urgency to reclaim the present moment.
  • The author uses a mix of playful, profound, and relatable reasons that speak directly to the reader’s experience, that encourages the reader to reconsider how they engage with the world.
  • The author often transitions between using “your” and “you’re”.

Possibilities for Writers:

  • Experiment with the impact of using “you’re” vs. “your.” Writers could explore the usage of “your” and “you’re” beyond the basic functions of possession and contraction to how it impacts craft and tone. Writers could explore how Burford’s usage of “your’ and “you’re” impacted how the reader felt either a personal sense of ownership or a direct call to action.
  • Develop pattern sentences to create rhythm and emphasis. Explore the impact of starting each sentence with the word “Because…”.
  • Explore the word “because” with students to deepen their understanding of cause-and-effect relationships.
  • Collaborative “Because” Poems: Write a group poem where each line begins with “because.” Students can contribute lines, building a collaborative piece that explores diverse perspectives or themes.
  • Create a collaborative writing experience with all students contributing to Another 20 Reasons to Look Up From Your Phone
  • Generate different ideas for other 20 Reasons Lists for writers to explore independently.

*The original text uses a word that would not be appropriate, and the word thief was substituted.

GUEST WRITER EMMA BOWES RECOMMENDS SOMEONE SAW SOMETHING BY RICK MOFINA

Feb
04

Rick Mofina’s Someone Saw Something is the perfect mix of thriller, suspense, and mystery, and is a great way to introduce yourself to any of these three genres. As someone who always wanted to pleasure read, but struggled to get into a book, this was the perfect place to start, as there is cliffhanger after cliffhanger that makes it hard to put the book down.

Readers are brought into the lives of the busy Corado family. Corina is a news journalist, her husband Robert is in the construction business. Together, they have two children, Robert’s daughter Charlotte, who is currently seeing an older man that her parents do not approve of, and Corina’s adopted son Gabriel, who’s adoption causes quite a bit of controversy in Corina’s professional life.

Being the busy family they are, Both Corina and Robert were unable to get out of their work schedules to pick up Gabriel from school, leaving Charlotte with the job. Everything seems fine, until Gabriel goes missing on their way home from school – in Central Park. In this instant, Corina finds herself on the opposite side of a news story – instead of reporting it, she is living it, both on and off-air.

Mofina does an amazing job at inserting small side-conflicts in this story, which is an amazing tactic to keep a new reader engaged. Readers get to see a raw edit of every character, and watch them as they all struggle with their own thing, while simultaneously struggling with the mystery surrounding Gabriel’s disappearance.

With all of this being said, I would recommend this book to everyone. The new pleasure reader, the thrill-chaser, the English teacher who wants to build their classroom library to encourage their students to love reading. It was a game-changer for me, and I feel that it will be just as much for you!

Emma Bowes is from Miramichi, New Brunswick, and is currently finishing her second degree, taking a Bachelor of Education degree from the University of New Brunswick. She did her undergraduate degree at Dalhousie University, focusing on Biology and English. Being from a small town, Emma loves being outside, crafting, and reading. Her current favourite genres of novels are mystery and romance!