Margin Notes

CRAFT STUDIO: KEEP MOVING

Apr
29

What I Was Reading: 

When poet Maggie Smith’s marriage ended after nearly 19 years, she found herself struggling to write poetry. In her words: 

When I write a poem, I don’t begin with an idea and then seek the language for it; I begin with the language and follow it where it leads me. But now I had ideas to work through, stories to tell, and I knew I would need a different kind of writing, a different container for my thoughts. (p. 3) 

She started writing a daily “note to self” and posting it on Twitter. Keep Moving is a combination of these affirmations and short, reflective personal stories. It is filled with hope, inspiration, and encouragement. 

Many of the entries are tweet-sized poems and, as I read, I couldn’t help but admire Smith’s use of punctuation, especially her use of colons. Here are 3 examples: 

  1. Instead of struggling at every roadblock, make a new way entirely. Keep and open mind: even the destination may change. (p. 50) 
  1. Think of the moon, how solitary it looks, and know that’s just a trick of perspective: the moon is not alone and neither are you. Remember how vast and star-filled your universe is, and how it continues to expand. Shine on. (p. 91) 
  1. Let go of the narratives you’ve dragged around for years: you are not who you were as a child, or in year X or on day Y—at least, not only. You do not have to fit yourself into those old, cramped stories. Be yourself, here and now. (p. 148) 

What Moves I Notice the Writer Making: 

  • Instead of using the colon to introduce a list, I like how Smith uses the colon to introduce an additional complete sentence. Unlike the semi-colon used as a connector between two closely related sentences, these colons signal that what follows is directly linked to the first sentence.  
  • In each case, the sentence following the colon builds on what preceded it, by adding further explanation and detail or by completing the thought. 

Possibilities for Writers: 

  • Read these sentences as a writer to notice other interesting craft moves and discuss how they impact you as a reader. 
  • Reflect on the similarities and differences between the three examples. 
  • Use one of the sentences as a model and write an example of your own. 
  • Revise a sentence in your writer’s notebook or work-in-progress by using this move to link two shorter sentences. 
  • Look for similar examples of this and other unique punctuation choices in your reading. 

Here’s my example: 

Instead of setting out to write a masterpiece, start by getting your ideas down on the page. Write with an open heart: the act of writing will lead you to what you want to say. 

WISHES, LIES AND DREAMS BY KENNETH KOCH

Apr
27

 

Kenneth Koch was a professor of English at Columbia University and a celebrated poet. He is the author of numerous books of poetry and other published writings. His book, Wishes, Lies and Dreams: Teaching Children to Write Poetry, was originally published in 1970. This book, which is co-authored by the students of P.S. 61 in New York City, documents his journey teaching students to write poetry.

I really enjoyed reading this book and, despite the fact that this book is 51 years old, it is charming and sweet. It would be a great mentor text to use with students. There are so many poems in this book!

His ideas for teaching students poetry certainly hold up in the present day. In fact, Anne Elliot and Mary Lynch, authors of Cultivating Readers, use his “I used to…Now I…” formula for an activity on p. 117 of their book.

Wishes, Lies and Dreams is full of great, quick lessons that would be easy to replicate in today’s classroom. I would recommend this book if you are a teacher who is always looking for new ways to incorporate poetry. I can guarantee that you’ll be inspired!

Find out more about the book here.

 

AFRAID OF THE DARK BY GUYLEIGH JOHNSON

Apr
22

Afraid Of The Dark by DartMouth, NS author Guyleigh Johnson tells the story of sixteen year old Kahula through short fiction and poetry. In her author’s notes, Johnson shares, “I created Kahula for the students whom I’ve supported in recent years that wanted material they could relate to, something they could understand and feel. I created Kahula for the little black girls who feel rejected and need reassurance that they are worthy and every bit of special.”

At a time when many teachers are considering the importance of representation in the classroom, this is a title I urge you to consider reading and sharing with students.

You can learn more about poet Guyleigh Johnson here:

https://www.cbc.ca/news/canada/nova-scotia/community/author/guyleigh-johnson-1.5622470

https://www.facebook.com/GuyleighJohnson/

https://writers.ns.ca/author-spotlight/guyleigh-johnson/

https://www.youtube.com/channel/UCbqcCoADtembSWWyNoB-8xA/videos

 

HOW TO READ A BOOK BY KWAME ALEXANDER AND MELISSA SWEET

Apr
20

Did you know that Kwame Alexander, best known for his young adult fiction titles written in verse, such as Solo, Swing, The Crossover and Booked also writes picture books? Some of his works include The Undefeated, Animal Ark and Out of Wonder. I would like to recommend you take a moment of time to consider another of his titles, How to Read a Book illustrated by Melissa Sweet. Image from Alexander, K. (2019). How to Read A Book. HarperCollins Publishers.

 

In this text, Alexander writes a poem rich in imagery, vocabulary, and onomatopoeia that espouses the pleasures and sheer delights found in reading a book.  My favorite passage is:

Alexander, K. (2019). How to Read A Book. HarperCollins Publishers.

 

Powerful as Alexander’s words are, so too are Sweet’s illustrations.  A combination of watercolors, mixed media, handmade and vintage papers and found items blend to provide powerful representations that echo the author’s words.

Alexander will draw the reader in from the first page and leave the reader reflecting on their own reading experiences with his parting words…

“NOW, SLEEP, DREAM, HOPE. (YOU NEVER REACH) —THE END.” (25-27)

Learn more about Kwame Alexander and Melissa Sweet.

TRY THIS TOMORROW: POETS RESPOND

Apr
15

 Every Sunday, Rattle posts a new poem to their Poets Respond collection. Each poem has been written in response to a public event that has occurred during the week. Most of the posts also include a recording of the poem being read aloud by the poet. The archives include weekly poems dating back to 2014. 

I can think of a number of ways to share these poems with students: 

  • as quickwrites and mentor texts, 
  • in text sets related to current events, 
  • as models for students to use when they write their own Poets Respond poems, 
  • as an opportunity to submit their work for consideration. 

If you incorporate Poets Respond, let us know how it goes with a message in the comments. 

TRY THIS TOMORROW: CRITIQUE OF THE WEEK 

Apr
13

If you have been looking for a mentor text for how to ask for and give feedback or for what discussing poetry can sound like, look no further than Rattle’s live video workshop, Critique of the Week. In each episode, a Rattle editor does a live critique of 1-2 poems drawn from the week’s submissions, thinking aloud and annotating while incorporating viewer feedback from the chat box into their reflection. In some cases, the submitting poet has requested feedback on a specific aspect of their writing. 

The archives of Critique of the Week can be accessed on Rattle’s YouTube Channel. 

Here are some ideas for using Critique of the Week into your writing workshop: 

  • Share clips as models for discussing the content, form, and craft of poetry. 
  • Incorporate excerpts into mini-lessons on such topics as: making our thinking visible to others, expanding on thinking with evidence from a text, annotations, and “what we talk about when we talk about poetry.” 
  • Invite students to reflect on whether they agree or disagree with the critique and why. This would be a terrific way to reinforce the concept that there is no single “correct” interpretation of a text. 
  • Ask students to respond to the questions: How can these ideas enhance my understanding of poetry/writing poetry/writing in general? How do these ideas make me a better reader? How do they make me a better writer? 
  • Name and discuss some of the thinking moves you notice the host using in their critique. 

If you’ve used Critique of the Week in your classroom, we’d love to hear about it in the comments! 

GUEST WRITER ANGELA LARDNER RECOMMENDS DICTIONARY FOR A BETTER WORLD: POEMS, QUOTES, AND ANECDOTES FROM A-Z BY IRENE LATHAM AND CHARLES WALTERS

Apr
08

This book combines two of my favourite things: poetry and quotes!

By using a wide range of poetic forms and addressing various topics such as: diversity, tenacity, hope, kindness, gratitude, and love, (and many more) the authors describe the world they want to see, by going through the alphabet.

Mixed in with each poem, there is also a quotation related to the word, an anecdote from one of the authors about a personal experience they have had, and a “Try It!” prompt for readers to take action.

And the artwork, by Mehrdokht Amini, is beautiful.

This book offers so much opportunity for discussion, writing, and personal growth. It could lead to change within in the reader and within the world; it could lead to a better world.

POETRY RESOURCE ROUND-UP

Apr
06

We’re celebrating Poetry Month by sharing poetry ideas for April and all year long. Here are a few favorite sources of inspiration for High School classrooms:

Made with Padlet

Let us know what your go-to poetry resources are by dropping them into the comments below.

APRIL IS POETRY MONTH 

Apr
01

This month, we’ll be sharing ideas for celebrating poetry during April, and all year long! Follow along as we share resources, classroom ideas, and reviews. What better way to launch this celebration than by sharing some of our favorite poems about poetry and writing? 

Introduction to Poetry by Billy Collins 

Prompts (for High School Teachers Who Write Poetry) by Dante di Stefano 

Some Like Poetry by Wislawa Szymborska 

Digging by Seamus Heaney 

The 1st Poem in the Imaginary Book by Sarah Kay 

For the Young Who Want To by Marge Piercy 

How To Eat a Poem by Eve Merriam 

Unfolding Bud by Naoshi Koriyama 

Johnnie’s Poem by Alden Nowlan 

Poetry by Pablo Neruda 

If you have other titles to share, please drop them in the comments. Happy Poetry Month!