Margin Notes

CRAFT STUDIO BY GUEST WRITER ANDREW MCLEAN: IDENTICAL BY ELEN HOPKINS

Sep
28

What I Was Reading: Identical by Ellen Hopkins

“Kaleighand Raeanne are identical down to the dimple. As daughters of a district-court judge father and a politician mother, they are an all-American family — on the surface. But beneath the façade, each sister has her own dark secret.” What Moves I Notice the Author Making:

  • The use of free verse to segment thoughts on the page, drawing a fine line between the twin protagonists.
  • A mirror is used as an opposite, physically identical, but polar opposites in terms of characterization.
  • This is an interesting introduction to a character, as Raeanne is introducing not just herself, but her identical twin sister at the same time. The character tells us who she is and isn’t, all while she is referring to her sister.
  • The left side of the page reflects the emotional side of the characters, while the right side refers to their concrete appearances.
  • The verse allows a high degree of freedom and this is captured through the narration which lets us inside of Raeanne’s innermost thoughts and feelings.
  • The page can be read as two different poems:

◦ First, reading every word of the page. This leads to the most natural revelation of character.

◦ Second, reading only the words on the left side. This reading describes a more direct approach to how    Raeanne views her relationship with her sister and her pondering on if they share an identity.

Opportunities for Writers:

  • Utilize free verse to incorporate more than one voice or line of thought on the same page. This can allow a more natural flow without confusing the reading.
  • Experiment with using line breaks to create a poem inside of a poem.
  • Trying doublespeak, obscuring the meaning or adding an element of reversal onto their words.
  • Segment the emotional and physical aspects of the poem to different places on the page.
  • Having one character speak for another, revealing more about themselves through this description (in a manner reminiscent of dramatic monologue)
  • Stream of consciousness narration

 

About the author: Andrew McLean is a grade 6 teacher at  Millidgeville North School and a recent graduate of the BEd program at the University of New Brunswick, Fredericton campus. Andrew loves fantasy, history and poetry, particularly those that are accompanied by artwork. He strongly advocates for introducing readers to a wide variety of texts that can make reading less intimidating. He also hopes that more classrooms will continue to promote comics, graphic novels, and manga as valid additions to their libraries.

 

 

YOU NEED A MANIFESTO BY CHARLOTTE BURGESS-AUBURN

Sep
26

What is a manifesto?

A personal manifesto is the Swiss Army Knife of self-awareness. Your manifesto can give you the confidence to take risks that are important to you and be persistent about pursuing goals you actually care about. You can use it to synthesize new ideas and knowledge, react to change with coherence and consistency, inform your intentions, be authentic with others, and avoid situations that lead to regret. Your manifesto can be the life raft you build to keep your head above the waters of change, travel the oceans of new technology and complexity, and work your work a little wiser every day.

Why do you need one?

You need tools to navigate the sea of change. You need the advice of a teacher, the hard-won knowledge of your own experience, the wisdom of a guru, the challenge of a goal. Some compass to carry with you on the crowded path of living. You need a manifesto to recruit yourself into exercising your power as a creator and change maker. To filter the signal from the noise. To know—not just what you can do, but what you should do, what you must do, and how to do it.

In You Need a Manifesto: How to Craft Your Convictions and Put Them to Work Charlotte Burgess-Auburn demonstrates how to use the tools of design to create your own manifesto. She outlines a five-step process for crafting a manifesto that is both “a statement of purpose and a script for action”:

  1. Commence- begin by actively examining your values and beliefs.
  2. Consider- become familiar with your goals, values, ethics, and biases.
  3. Collect- deliberately look for manifestos, guidance, prescriptions, and other texts written by people who have gone through their own process to distill wisdom out of their experiences.
  4. Curate- explore different frameworks and formats to organize collected statements into a manifesto.
  5. Cultivate- turn your manifesto momentum into a bridge for your community.

Developing a manifesto is a deeply personal process that begins with intentional and deliberate self-reflection. You have to commit to examining our goals, values, and beliefs before you begin to craft your personal statement. Collecting and curating are also invitations to reflect as you identify what resonates with you and why. Although the first four steps are completely individually, step five opens the many possibilities for manifesto creation to move from the individual to the community.

Not only would developing a manifesto be a powerful activity for teacher teams and staffs to undertake to establish shared beliefs, values, understandings, and opportunities for learning, there are many possibilities for adapting this for the classroom:

  • launching it as a getting-to-know-you and community-building activity at the beginning of the year
  • practicing using mentor texts by noticing and naming specific qualities and characteristics of manifestos gathered during the collection process and then articulating how the mentors informed the process and final product
  • establishing a practice of using a writer’s notebook as a tool for collecting and curating by capturing and writing beside the manifestos gathered for inspiration
  • engaging in partner, small-group, and whole-class discussing throughout the process to share what worked, what didn’t, new discoveries, next steps, etc.
  • annotating the final product by responding to prompts such as: Why did I choose this format and content? What examples informed my manifesto and why? What does the manifesto reflect about me? What did I learn about myself in the process?
  • self-reflecting over time by considering: How is my manifesto guiding me as a learner? How is it reflected in my actions, interactions, and the work I create? As my values, beliefs, and goals evolve, do I need to update my manifesto?

You can find lots of manifestos online, but here are a few to get you started:

How to Craft a Brand Manifesto (Guide + 10 Examples

How to Create Your Own Manifesto: With 3 Gorgeous Examples to Inspire You

The Agile Manifesto

Lululemon

Spotify

The Expert Enough Manifesto from Coding with Empathy

How to Live by Charles Harper Webb

Like the other titles I’ve explored in this series of Stanford d. school guides, You Need a Manifesto is readable, colorful, beautifully designed, and inspiring. You can read my review of Design for Belonging by Susie Wise here.

DESIGN FOR BELONGING BY SUSIE WISE

Sep
19

In Design for Belonging: How to Build Inclusion and Collaboration in Your Communities, Susie Wise explains the importance of belonging:

Belonging helps us to be fully human. It gives us permission to share our talents and express our life force. It enables cooperation, collaboration, and the ability to work across difference. It emboldens our creativity and our problem-solving abilities. When people feel like they belong, they are able to be their best and do their best.

According to Wise, we can all design spaces that help people feel they belong, and she represents this intersection of belonging and design as “belonging + design = new ways of bringing people together, or new ways of people being together.”

Belonging means that we feel accepted and that we can show up as our authentic selves; we also feel that as a member of the community we can raise issues and challenge ideas. In contrast, othering is treating people who belong to a different group or community as inferior.

We can shape belonging and avoid othering by using what Wise calls the levers of design. These levers are tools that help us move toward the goal of creating spaces where people feel safe to participate fully. They help us experiment with new ways of engaging with others.

  • Space: cues us to what, how, and who we can be
  • Roles: because they are designed as part of systems, they can be redesigned to create belonging
  • Events: designing an event is crafting the experience, so belonging must be a through-line
  • Rituals: help us focus on personal, interpersonal, and communal meaning-making
  • Grouping: to foster belonging, be specific about what you hope to achieve by designing group structures
  • Communications: be aware that all communications send explicit and implicit messages about who belongs and who does not
  • Clothing: can act as a symbol of belonging
  • Food: is sometimes an opportunity for coming together
  • Schedules and Rhythms: can play an important role if they are designed to support people and their needs.

No matter what role we play, we can be reflective about whether or not our interactions create belonging or othering. When we become aware of the levers of belonging in our own communities, we can begin to use them with intention. Although this book is not specific to education, there are countless spaces educators can apply these principles to design and redesign spaces within our classrooms and school communities to foster belonging.

CRAFT STUDIO: THINGS TO LOOK FORWARD TO BY SOPHIE BLACKWALL 

Sep
14

 

What I was reading:

Things to Look Forward To by Sophie Blackwell is a collection of small and large joys. She acknowledges that there are many big long-term achievements to look forward to but we can also look forward to the everyday things. She describes these as “things that will buoy our spirits and make us laugh and help us feel alive and that will bring others comfort and hope.”

 

Moves I noticed the author make:

The moves can change with every selection! Here is one example:

Rainbows 

If we are lucky, when the rain has stopped and a fine mist hangs in the air, sunlight might enter through tiny droplets, bend as it hits each surface, bounce off the back wall of the raindrop, and bend again as it exits. And if we happen to be standing facing away from the sun and raising our sights 42 degrees, that refracted, reflected, and dispersed light might form a shimmering rainbow. Then we can make a wish. 

 

Moves:

  • Uses the “if, and, then” format
  • Descriptive wording – “tiny droplets/shimmering rainbow”
  • Repetitive sounds – “bend/bounce/back”
  • Uses tiny details – “raising our sights 42 degrees”
  • Rule of three – “refracted, reflected, and dispersed”

 Possibilities for writers:

  • Notice something in the text.
  • Name what it is that you noticed.
  • Talk about what impact of what you noticed.
  • Choose a symbol in your own life and try using this writer’s craft to write about any 
  • Using the “if, and, then” format, write your own passage of Things to Look Forward to.
  • Zoom in a moment to write in descriptive, tiny details.
  • Try out the rule of three in a descriptive writing paragraph.

 

THE IVIES BY ALEXA DONNE

Sep
12

“The Ivies” by Alexa Donne is a YA novel that follows five high-achieving students at Caflin Academy as they compete for admission into the most sought-after colleges. Told from the perspective of Olivia, a scholarship student, the story drops readers immediately into a web of both thrilling and unsettling manipulation, sabotage, and deceit orchestrated by her and the other four members of “The Ivies”:  Emma, Margo, Sierra, Avery.

Avery (the self-appointed leader) had dictated that the girls that they each pick a different Ivy college to apply to, both to increase their chance of admission and to avoid internal competition inside the group. Avery had claimed Harvard as her own however both Olivia and Emma applied in secret. Harvard rejects Avery but Olivia and Emma are accepted. Olivia stays quiet about her own acceptance, but Emma admits hers, and there is huge drama between Avery and Emma. The next day Emma is dead.

After Emma’s murder, Olivia starts to question everything she knows about her friends and the cutthroat world of elite college admissions. As she delves deeper into the investigation, she realizes that her friends may be willing to do whatever it takes – including murder – to get ahead. Although Olivia receives ominous threats, she refuses to leave the investigation alone, and as a reader, you are thankful she keeps digging!

This story explores themes of ambition, competition, race, and privilege, and raises questions about the toxic culture of elite schools and the pressures that students face to succeed. It is a suspenseful and twisty thriller that will keep readers on the edge of their seats until the very end. Fans of Karen McManus will surely enjoy this title.

CRAFT STUDIO BY GUEST WRITER MICHELLE WUEST: ALL MY RAGE

Sep
07

What I Was Reading:

All My Rage by Sabba Tahir takes us from Lahore, Pakistan (then) to recount the story of Misbah and Toufiq (who are Salahudin’s parents) to (now) in Juniper, California to join the stories of Salahudin and his best-friend, Noor.

It is a fantastic YA novel told in three points of view– tackling issues of Islamophobia, alcoholism, and domestic violence; while also exploring the pressures of high school, the heartbreak of family, the beauty of friendship and the gift of forgiveness and compassion. Heartbreaking and tender, well worth the read.

What Moves I Noticed the Author Making:

Tahir makes some writerly craft choices worth exploring: using repetition, italics, and single word sentences that follow the rule of three.

  • The first repetition is the italicized “ Bang. Bang” taken from her reference to a song which is punctuated with the actual sound of gunshots. (Many young readers will likely get this reference.)
  • Her next paragraph employs the rule of three: the names of the three Universities that she has been rejected from in single word sentences, one after another– just like the gunshots. And, followed by yet another magic three: the repetition of the word rejection. Each letter, each rejection, are like gunshots to her hopes.

Here is the passage:

The letters come in hard and fast. Like the gunshots in M.I.A’s “Paper Planes.” Bang. Bang. Bang.

Yale. Columbia. Cornell.

Rejected. Rejected. Rejected.

  • The book itself is divided into six parts. Each part opens with a stanza from Elizabeth Bishop’s poem “One Art.” Noor selects the poem for her English analysis essay because she liked the first sentence. Or, she amends: “Well. Sort of. Mostly I picked it because it’s short. But it’s also weird. It’s about misplacing stuff, like keys and houses. How the hell do you misplace a house?” But the poem is really about accepting loss as inevitable. And so is this novel.

“One Art” by Elizabeth Bishop

The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn’t hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother’s watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn’t hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn’t a disaster.

—Even losing you (the joking voice, a gesture
I love) I shan’t have lied. It’s evident
the art of losing’s not too hard to master
though it may look like (Write it!) like disaster.

  • Tahir gives us Noor’s inner thoughts as she reveals the veneer of Noor’s college admission essays, juxtaposing the truth next to what she actually submits.

A problem I solved. (Truth: heartbreak. What I wrote: a poor English grade.)

A life-altering experience. (Truth: my entire family dying and the smell of their bodies rotting around me. What I wrote: working at Juniper Hospital.)

My biggest life challenge. (Truth: they don’t want to know. What I wrote: bullying in high school.)

  • Throughout the novel Noor is plugged into music or at the very least referring to it. Here is (a mostly complete) Noor’s Playlist. It already has some songs I do love, wonder what else I may discover? Check it out here.

Possibilities for Writers:

  • Experiment with the rule of three repetition in your own writing.
  • Play with one word sentences and short paragraphs to create effects in your writing.
  • Use the stanzas of a poem to create an outline for a piece of writing.
  • Play with offering a character’s (or your own) inner thoughts. You can copy Tahir’s set-up of: Truth… and What I Wrote… or Truth… and What I Was Really Thinking…
  • Make a playlist inspired by a novel you are reading. What might the characters listen to? What songs would be perfect background for a scene? Or, do you characters actually refer to songs, movies or other texts that may help you compile a playlist?

Michelle Wuest is and English teacher & SPR at Leo Hayes High School with over 20 years helping students find the right book. When not teaching or reading you’ll find her tap dancing, practicing yoga, walking her Doodle, seeing live music with her husband, or listening to her son rattle of random NFL stats for the eleventy-billionth time.

CHANGE THE GAME BY COLIN KAEPERNICK

Sep
05

”I think you can make a declaration in your heart about who you want to be. But then you have to reflect that in your actions. You have to make it real.”

You know the Nike ad that set shoes on fire and you have heard of the kneeling. What happened before? Colin Kaepernick’s memoir Change the Game tells his story of being a Black student, adopted by White parents and attending a largely White school. Everyone in his life is encouraging him to pursue baseball and accept one of the offers that come his way.  It’s the story of how it can be a challenge to go against the majority and listen to yourself instead.

Many readers will relate to the struggle of making a decision. Kaepernick says that “sometimes, one path seems easy. The sun in shining on it. It’s neatly paved. You could just take that path and go . . . but just because a path is easy, does that make it the right way to go? What if there’s something else waiting for you out there?” The surface story is about a young athlete choosing between two sports, but the messages are much deeper.

Beyond sports, it’s a story of a young Black man dealing with micro-aggressions and finding his voice. In one scene Kaepernick calls out a player for being racist and the coach tells him (Kaepernick) to back off. He narrates his reflection by saying “I couldn’t stop thinking about it. I was so angry. If I didn’t speak up, it felt like something would eat at me inside. But when I did speak up, apparently I was doing the wrong thing.” This internal conflict of when to speak up is an important theme to understanding Kaepernick’s decisions but also a meaningful feeling to name for young people. Exploring how one person controlled their internal conflict can be a powerful example for readers managing their inner battles.

I would recommend this graphic novel to readers ages 12 and up who enjoy non-fiction, activism and sports. It’s an accessible text that takes a reflective look at the story behind the athlete and activist we know, Colin Kaepernick.

To learn more about the work Kaepernick continues to do, visit Kaepernick Publishing whose mission is “to elevate a new generation of writers with diverse views and voices through the creation of powerful works of all genres that can build a better and more just world.”